The Architecture of Eternity: The Physics of the Technological Transformation of the Psyche

00:01

So I’ll give you one here. This is kind of just… reflections on the technological revolution itself. I’m not seeing nearly as much dialogue or discourse on this as I feel like there needs to be or there should be. Because — a great way for me to visualize this is again, right, as is typical for this project — when I’m grounding history and the material phenomena, artifacts of consciousness as in consciousness evolution and psyche transformation, I’m looking at these image artifacts in baseball history. Photographs, cabinet photos, even posters or... broadsides, things like that.

Because when we’re looking at the image artifact, we’re looking at the projection of the psyche with the expressive vehicle that it has available to itself at the time. Any linguistic or any language is going to be fundamentally distillable into a phenomenology as in a perception or perceptive mechanism.

01:14

So this is to say any symbol or any letter, any sentence… any genome is going to represent itself phenomenologically as an image.

This is the same thing as the waveform — and this is the connection between music and the visual arts. And this is the connection between the waveform as in the psychotropic field of consciousness or psychotropic field of consciousness itself… and that way in which it manifests or embodies itself in space and in time.

01:40

This is fundamentally the realm — again of… it’s the realm of the mythic and it’s the realm of the depth psychological and it’s the realm of the world historical tales of genesis, creation, destruction, and the Hindu Vedantic maya or the samsara.

Because really what we’re talking about at a physical, biological, cosmological level is just transformations of the field of consciousness or the field of the waveform as it is currently existing.

And by currently existing, it’s something to say of a live wire or electricity. And I saw this great Niels Bohr quote the other day. He said… in advanced science and advanced physics. Really what we’re doing is we’re using poetic language to elucidate reality. We get to the point where poetic language is the only symbolism we have for truth.

And this is the grasping at — which, when we ground this in history and materialism through consciousness artifacts, particularly through human culture… because human culture is the human experience of the transformation of consciousness vis-a-vis technology. And this is why when we get a little too far up into this waveform idea of the psychotropic sphere, a psychotrophic realm of consciousness, we get too abstract.

The deepest, most successful poetic ground is of a direct interface with the experiential reality of material history to elucidate the deep historical current and phenomenon of the psyche and of consciousness as a unity of the quantum mechanical and Newtonian spheres as in a transformation.

03:07

And this is the difficulty, especially when you’re grounding theoretical physics, theoretical science, quantum mechanics… in a formula or in mathematics. And this is why I draw it into history and culture.

Because we want to get the waveform into space and into time and talk about how it transforms in a realm of locality. And the easiest way to do this for me is to just draw it directly into modernity and look at this 100 year time scale, this 100 year period… we could say more like 150 years.

Kind of moving through the advent of the photograph into artificial intelligence and the personal computational device — to look at how it changes the representation of that which is, as in reality itself, because it’s image producing.

03:56

The genome is image producing. It’s not only producing the phenotype of the body, which is also the human experience, indelibly and ineluctably…

But furthermore, the human experience is itself always already producing images as in its perceptive aperture.

So this is the psychic status of the human being itself, which is a way of viewing and a way of seeing and a way of perceiving. It is reflecting or refracting itself into creation as in representation via and vis-a-vis the status of mind and consciousness which is producing and reproducing it — via mirrors, via appearances, via reflections. And this is the basic depth psychological concept of projection — as a foundational historical phenomenon of creating without that which we perceive, experience, and embody mythopoetically as a technology or status of being as in the human being aperture within and as a fundamentally artistic, creative, and imaginative history of appearances; events.

04:41

And this is precisely where we talk about the interfacing with technology.

So when I’m looking at this 1881, 1882 Toronto baseball cabinet photo, Toronto baseball club… you’re looking at this precipice, along… again, along with Nietzsche, along with Oscar Wilde and Baudelaire and Edgar Allan Poe — this precipice of human consciousness verging on utter and total transformation out from the agrarian… and baseball itself becomes this technology on the precipice, the wooden bat and the covered baseball.

These technologies — as you can see here with the catcher’s mask, creating a prosthetic uniform and physical devices in which to manufacture the cultural sport and element of baseball as a process or a figure in space and in time. It is itself unnatural, or a repurposing of nature into an image form which represents a psychic status or mode of being; collective being.

And then furthermore, the capture by the early photographic device — the transposing of that early photographic light capture device of the negative etching onto the chemical canvas of the photographic paper… which has then been attached to a cabinet backing here.

05:51

Is the intersection with this sort of Paleolithic sticks and stones, agrarian, emerging industrial consciousness — interfacing with this light transformation device of the camera, which we then later come to know in its more advanced and shuttering forms as the computer or the cell phone or even the video camera in terms of its depiction and rendering of light continuously and continuously progressively unbound by the single rapture or frame or framework of space-time as an instance or occurrence. Light becomes unrendered from the predictable form and reproduced within the moving container of the technological body. This — as in the bottling of the nuclear sun as that which both creates and alights the eye and phenomenologically constructs and depicts and interprets figures and forms. It is a light play of the appearing real; the embodied.

The camera is taking light from space and transforming it into an object in time which retains timelessness, which is to say it becomes a temporal rift, which represents that status and space of consciousness in which and in when it was depicted. This is not just phenomenologically, but also implicitly and explicitly therein, psychologically.

It grabs that moment in time and makes that moment in time eternal. But what we have with cell phones and what we have with computational devices and what we have with artificial intelligence is we’re continually rending and rendering timeless moments — to the point of which we lose the linear agrarian sun and moon cycle form of space time and were thrust into a continuous eternal presence, which necessarily is ungrounded by the physical. Which can be created and recreated, produced and reproduced entirely through digital light transfer and transformation.

So again, this is an uprooting of consciousness from the physical terrain of the biological body and implanting of it, seeding of it into a digital realm, a sort of pseudo terrarium where consciousness now increasingly lives and is being inputted and is inputting. It is a dissociation of nature into a radical recombination, into which the Newtonian, Darwinian, glacial form of the human natural evolution is being rent; pixelated.

07:31

So this is a lift, this is a lift off from space time.

Baseball itself in many ways documents this bridge because it begins, it is founded, it is organized both here in Canada and Cuba and in the United States… in and around this hinge. It professionalizes in and around this hinge and it mass popularizes.

It peaks and it rides that peak through the creation, advent, and distribution of the photojournalistic artifact at the turn of 1900 into the early mid-1900s.

08:13

So this is what’s so fascinating to me about the photograph — because the photograph itself no longer resides in the interpretive realm of the illustrative, whether that’s the Lacaux Caves or the painterly, as in everything from let’s say Rembrandt to Duchamp…

In the sense that we’ve left the interpretive realm of the human being and we’ve entered the realm of the technological device rendering the human being.

The human being is now being captured, the human being is not capturing — which again, as I discussed, this form of advanced digital industrial technology is inherently predatory — in the sense that the human being is formerly a predatory form of consciousness which is attempting to bottle, interpret and capture life.

And the camera itself becomes a philosophical model… in the sense that it captures the human being within life and renders the human being with a level of authenticity that surpasses the human interpretive device of the psyche.

09:41

And this is what I, this is really kind of the sweet spot of what I’m discussing when I’m talking about the historical material of the timelessness of the photograph and the depiction of the terraforming of the human psyche — because the human psyche wears itself like a mask in space and in time.

And it wears its status or its space or its field, its imaginal field, its terrain. This is something that’s worn in the body, on the body, worn in the expression and worn in the active movement. This is described by everyone from Picasso to ancient Chinese medicine to the modern advancements of the unity of psychology, epigene-ology, and symptomatic physical medicine and diagnosis of the body by members of the modern medical discourse such as Gabor Mate.

Because this, again — the human being and the human body is a genetic and epigenetic technological device of psychological interpretation using synaptic and neurological information. This forms and informs the body and the status of the body in real time — from everything from self concept to the constriction of the blood vessels to the movement and consumption and decisions of the body and person day to day in a space-time sense of ambulation and movement in the field of play in and at large. This is what makes up, in grand sum, the ancestral, deep genetic evolutionary architecture of the incarnate body and form and apparatus of the human being itself at large.

10:06

This is the basis of somatic healing, nervous system healing, even energetic healing… as it’s understood in the ancient traditional Chinese and emerging increasingly with a quantum mechanical integration of healing and medicine into the formerly Newtonian based symptom and symptomatic treatment system of Western medicine as an opacity of the body and a severance from the greater field of the mind as in a consequence of Descartes.

And this is where we really, really, really get into something interesting… because the psychological status is everything.

And this is well understood in the Gnostic precepts and the Neoplatonic precepts of the understanding of the mind being the highest universal power. This is a hierarchy of frequency and density and thus integrity as in losslessness of coherence in the waveform as articulated in the, again, mythopoetic depiction of the orders of the angels in Christianity, or the Buddhic journey to enlightenment or nirvanic consciousness… just as much as it appears in the mapping of hell and paradise in Dante. These are energetic densities of revelation; depths of density in incarnate suffering as in addiction and repetition — as would be described as karma in the Hindu sense; dharmic light body as depicted in shamanic utterances; states of blissful totality and union and unity with the grand synaptic energetic architecture of all life and being as in a revelation of the lossless form of being through the reflectory, refractory prism of the body as a node of interrogation as in to the quantum mechanical self with the guise and waxen body as in a node of space-time, dressed in thermonuclear clothes.

10:58

And again, when we talk about the field of consciousness itself proper and the field of psyche itself proper, we’re talking about a universal transformation and transformative apparatus through which the material things, as in that which they appear to be… the waveform, the frequency at which they are appearing in space-time as embodied tacit and taciturn agreements at the molecular and chemical and elemental level — which is to say, these are microscopic bacterial and cellular unities which are assembling themselves through a coherent agreement as in a genetic script…

In and upon the field of play, in the field of space-time — and are thus themselves always already being transformed and changed at the molecular level, and thus foundationally, at the level of the waveform in that which they appear… and you could say, warble in and out of space-time.

This is a frequency and a signature of information, which is being changed in itself through space-time, in its various different interrelations. This is precisely how molecules vibrate and disperse and interact and engage as a heat density and a transformer through heat in which water makes steam as in a phase change. This is an excitement and a hyper-acceleration primarily through heat as the grand thermonuclear cosmic principle of energetic proximities of transformation… which is to say this is visualized in a Newtonian sense as gravity, relativity. Proximity which rends — as in the case of the black hole and the star; proximity which mends… as in the revelation of the real energetic phase change principle of transformation behind the phenomenological appearance of the form space-time itself.

12:06

These are the forces and the force fields… as in electromagnetic fields, which are at play in being in time.

And this is again where we’re touching explicitly the psychological dimension of the transformation of the waveform, which is a synaptic electrical wave field of mind.

12:28

And that the body itself is mind, just as much as the brain is mind. If you can understand this, right? Because these are different statuses of the development of the stratification of sentience. The body inhabits worlds of being and evolves both in unison and separately as spheres of information. This is a cross-scalar principle of interactive relationship and discourse in the field of cosmological being proper.

We talk about animals or plants, the terrarium of the Earth itself. This is an ecosystem of emergent awareness.

This is the ecosystem of emergent energetic interactions, electrical interactions, nuclear interactions.

13:00

And this is fundamentally social — because it’s an energetic exchange… which returns us to the thermodynamic and the thermonuclear as the exchange rate of the cosmos itself at and across scales. And so when you have this energy changing forms, there’s different ways to discuss it, whether you want to discuss it in terms of the metabolic or caloric dimension of the human digestive system… whether you want to talk about it as in terms of the chlorophyll of the plant’s blood, or Galileo’s precept that wine is a mixture of sunlight and water. This return’s us to Bohr’s poetic language as advanced science observation.

This is a profound elemental science that is breaking down the appearance of things… that which they are and they appear to be… down to the molecular level and then beyond the molecular level into the wave form which is their true transcendental, post social, apocalyptic unity of free light transformation information; transcendental incarnation as in fundamental aspect of self insofar as it is incarnate into the field as a scalar, higher dimension.

13:51

Which is the taciturn agreement… which produces the appearance of the gathering of molecules itself and then thus creates the status of water as an elemental signature. This is a signal change… a binding, compound, comprehensive agreement, which at any moment can be abolished by any sort of situational circumstances or terms. Transformations down to constituent parts as in a recombination and a rending down to elemental, molecular, and atomic pre-scripts and post-scripts.

And so when we look at human history, right, we’re grounding this in human history… and this is what’s so fascinating about human history — is that we’re looking at the technologies.

I mean… much of human history is a repetition of same. The pre-1900s, even pre-1800s, right, as we recede further and further back into a mechanical trance of kind of basic elemental object forms in human culture and technological awareness of utility, such as the wooden ship, right?

We’re talking about... effectively pre-lapsarian modes of technology, which themselves are very much so still entwined with nature. And this brings us back to the advent of the forebrain.

15:15

Before the advent of the forebrain, we’re looking effectively at a status of holistic nature. And where it gets fascinating to me — is at the break of 1900 — with the hyper acceleration of digital technology, digital information, because this is effectively, at a molecular level, the generation of a... a profound heat source in and at the level of the human species equivalent to a rocket, which is igniting the water molecule, heating a pot on a stove, so to speak.

And this is an elemental increase of chaos, which is to say an increase in space-time interactions, producing wildly unpredictable and chaotic outcomes — because the human being has breached space and time fundamentally in a quantum mechanical sense. And a key to this system is the transhistorical element of dredging up coal and natural gases and oil out from the sedimentary body of the fossil earth to produce massive amounts of heat. And with this massive amount of heat… resurrected from the dead, so to speak… you have a massive amount of strange transformation. This is a primary dredging of primordial technology, being turned into a psychological and historical material metallurgy of skyscrapers, computer chips, sound barrier breaking jets, and astronautic implements.

15:42

… Through its technologies, through its consciousness, through its perception… and quite literally through the discovery of quantum mechanics — as such has begun to subvert, turn inward on the fundamental, elemental precepts of reality itself… quite literally the grounds of existence as in a oil field…

Such as the creation of the light bulb in relationship to the sun, the creation of the car in relationship to the ambulatory capacities of the human being or the four legged animal, creation of the airplane in mimicry of the bird.

16:12

And this is something that da Vinci was very early on working on and understood… this motility, this motory mechanics of the universal and deciphering and encoding this in such a way as… even going deeply into the heart itself as an energetic vortex as it appears — as it is an organ that is wrapped around itself, vortexually…

And understanding this, the way in which the shape of the vortex of the heart appears is actually itself the field that it produces electromagnetically. This is spheres of apparent information digestible, discernible, even acceptable to to the waking, apparent eye. That which is perceived or perceptible; the implements which allow us to peer deeper into astrophysical, bio-chemical-mechanical; energetic realities and dimensions of the formation and formulation of being in time itself; the nature and heart of being as in the character of being proper.

And this is very nuanced. This is very… this is a very nuanced, poetic but also deeply scientific and scientific methodology… into the source and heart of nature as that which continually reproduces itself at scale, at levels and at scale.

And this is breaking into the breach of the code of nature, which unifies us with the primordial genetic cosmos itself, into this moment here in 1881 with this cabinet photograph of the Toronto Baseball Club and the formation of a coherent professional league in Canada towards the turn of the 20th century.

17:37

This is, again, I just, I want to get deep into that connection in that gear of the psyche as it informs space and time and changes form.

This idea that mind itself is that which turns the gear, which produces the machinic appearance of reality.

And this is no easier to see than in the evolution of the human being itself — is that which reflects upon nature and begins to tinker with it from everything to fire, to cave painting, to the consumption of the plant or the animal… the psychotropic effects therein in some cases… such as the Eleusinian rituals in ancient Greece.

From there — to the creation of a sport like baseball, which is the carving of a bat from the wood of a tree… or the camera, or as we discussed, the cell phone with the mining of precious metals — the use of oil from deep in the earth, natural gases to power civilizations with cars and machines that build skyscrapers, that house massive factories and those who work in those factories… such as New York City in the early 1900s.

We’re looking at a very high strangeness, this… to modern civilization, the modern consciousness — appears to be normal, but really… it’s a radical disjuncture.

19:14

It’s a psychotrophy. It’s a transformation of the psychological field of nature and existence itself due to this radical recursion of technology, which itself is an innovation equivalent to and on par of the spark of sentience produced by the recombinative powers of nature and space time through chemical and elemental interaction.

This is really what technology at a human level, especially digital and digitizing technology, such as the technological evolution and revolution of the 20th century… is equivalent to truly.

Because what it signifies is a, we could say archetypally — Job-esque lapsing of consciousness and the emergent psyche, up from the sentient being and sentience as… is a chemical and electromagnetically produced experience through the synaptic architecture of the human being and the nervous system architecture of the human being.

It’s profoundly advanced organic system, biological compound, which is producing consciousness, which is reflecting itself upon this substratum of nature, this archaic architect, which is producing it.

20:31

And then furthermore, this is doubled in the 20th century with the advent of… the increasing advent of these kind of codexes of nature, these technologies which reflect in and upon nature. Again, everything from the car to the light bulb to the cell phone.

And so this… is actively, right — if we, we look at the human experience and this is why the photograph is so key… and the photograph being invented at the outset of this kind of expedition of industrial consciousness is so important — because it is no longer the human being interpretively depicting reality. It’s the photograph archiving, depicting, exhibiting the human being as it is being radically psychotrophically changed by the technologies it is unconsciously reproducing. The human being becomes Rilke’s Panther in the cage of a new industrial reality of the one who is viewing the caged animal as it shifts and growls upon observation of the new form which has caged it — the new observational tectonic reality — the plate shift of the psychotrophic revelation of modern industrial digital technology as that which is suprematively rending and rendering the animal from its aperture into a blue light field of being — a total condensation of vision, space, time, and form — in which the protean humanity is lapsing into like a space-time hyper-acceleration of black hole architecture… a higher gravity and mass and condensation of the real into quantum symbolic form.

21:17

Discovering and uncovering, from the sedimentary foundation… not only of the bowels of the earth itself, but the quantum mechanical field of the cosmological existence of nature itself.

And so you’re actually watching the human being being made strange, being terraformed and destroyed by the very technologies it is producing or creating as a sort of psychological lifeblood or creative artistic lifeblood out from the bowels of nature — and the elemental chemical and molecular and even hormonal potentialities of the earth, it is drawing out these strange metallurgies.

And this is entirely unconscious and almost a destined collective encounter with the shattering infinite as a codebreaking exercise of the quantum mechanical out from the historical relative gravity. The pattern of somnambulistic unified nature as an interiority made ulteriority vis-a-vis awakening as in self revelation to the fabric, field form of true and utter sublime and subliminal being itself. As in a folding in and collapsing of space-time into a singularity as in a field of gravity of consciousness lapsing out of field consciousness into totality. And thus, dissolution of the appearance of forms through the singularity of the blue field of the screen of the device of perception which compresses and condenses phenomenological space-time reality into the jar of the scrying glass which produces and reproduces the infinite as in Vishvarupa — the infinite, totalizing of all forms. The essence made manifest as a psychological aperture of revelation. The shapeshifting sight of seeing made full field of vision. All possible; thus, all appearing; thus fulfilled.

22:12

This is the literalization and manifestation of the alchemical consciousness as it was understood in medieval times.

It’s the realization of the potentials implicit and latent within that field — because what’s happening is the lead of the earth is being drawn out and transformed into this magical screen of blue light which can represent the most fantastical images and create forms of immediacy which would be hitherto unprecedented in a, let’s say, Paleolithic or pre-lapsarian or agrarian times… in which the mode of consciousness is utterly and elementally tied to nature — with maybe rudimentary tools such as the spear or the arrowhead or the understanding of how to create fire.

22:40

These are technologies which are very rudimentary recombinations that lie dormant and latent within the energetic potentialities of nature itself, which is to say the chemical and elemental compounds, which are the composition of all that is.

It’s the language of the species — not only in that which it speaks, but that which it is at its deepest level.

And then beyond that, these are... waveform densities, molecular appearances, chemical appearances in space-time with different recombinative properties. This is the basic foundation of chemistry. Electromagnetism and chemistry are the same essential property of recombination and field at work within space-time, just as much as mass and density function at a deeper level gravitationally, alongside energetic current and currency as flow of information. The interlocution of literate fields. This is also something that applies across fields. Scalar. It’s a morphic device — because it’s a linguistic device.

23:30

And so what you’re experiencing there is… again, is akin to the level of strangeness in which… what makes possible with the advent of the forebrain, the human being can reflect upon itself. It can reflect upon time.

And this kind of emergent consciousness is represented in everything from the voices of the gods in Homer to the Bible; the psychic resounds of the prophet conveying the voice of God.

Because what we’re discussing here is the human being encountering the vehicle of higher intelligence which carries it into form… and thus discovering and encountering itself as a vision or an experience of a higher power or a higher force which is pre-phenomenological and is producing the human experience and the human body and the relative field of space-time as a psychic reality, as a consciousness reality — which is something that is supernatural, terraforming, and transpersonal.

24:32

As it is the creative force and energetic power and super system of all things, which is continuously creatively organizing and reorganizing based on this total field. It is an emergent paradigm of consciousness absolutely.

24:53

So this gets us into the question, how are planets formed? But it also gets us into the question of how is the human being working within the planetary consciousness? Which is to say the field of emergent devices — everything from kind of the protean leopard to the Neolithic mind and into 1881 in Toronto with the formation of early baseball teams in Canada.

How is the human being working with this primordial ground and progressively revealing this deeper architecture and thus tinkering with it at its foundation and producing… because this is what the psyche is doing, especially when we hit modernity as a critical mass.

It’s producing new chemical combinations which are producing new interactions, reactions, and explosions, even down to the atomic and molecular level.

25:46

Such as again, the atom bomb or the work of Fermi. This is a recombination at the deepest level of the psychic blueprint of nature, the elemental source code or the primary linguistics.

And it’s a rearranging of that psychic alphabet. It’s a tinkering with the genetic code of mankind to produce these new outcomes. And this is not, again, this is not to moralize any of this because I think it’s such an easy thing to do… and it is being done consistently and constantly, but it is to see it as what it is.

And this is what technology is in an anthropomorphic sense. Just as we have the primary mode of technology, which is the creation of the forebrain in a natural context through biological, chemical, and elemental recombination — which is the human being itself developing and fermenting in space time, so to speak, through different species level formations. We’re looking back through the eyes of the fish into this scenario and into this space.

26:47

And to see what happens over this span, which is really no more than 100 or 120, maybe 150 years — you have the advent of the camera, which signifies psychologically as a historical archetypal circumstance, that technology is now witnessing that which it is changing. It is the emergent Frankensteinian out from under both its willing and unwilling creator which unleashes the new symbolic order.

The human being is becoming changed through the unleashed Pandora’s box expression of the technological… which is most succinctly summed up in the lithium mine, which produces the portable digital blue light screen, which can now with the advent of artificial intelligence on top of this blue light screen… produce whichever image, whichever symbolic chain one wishes to manifest with such increasing authority, realistic authority — that the bounds of space time are being compressed down into this blue light energetic system, this electrical system of image production and sonic reduction… which again is a mimicry of the electromagnetic field of being and the discourse of waveforms within that electromagnetic field. It is a device to reproduce immediacy with the conviction of the appearance of reality, of being real; of the character of being itself.

28:02

This is all sound image transformation. But the ability to now manufacture everything entirely within the realm of this one singular device, this singular object device… it has compressed all of space time, the potentialities of space time, and then even beyond space time into the imaginal creative realm of the psyche — which again is the bridge of the artist and the philosopher between the temporal and the eternal.

It has created the possibility of all things…

to be within one imminent artifact. And this is obviously, again, the death of the photograph, because the photograph cannot change form in time.

But what the photograph is doing in an early modern sense is depicting the changing form in time, which is the human being’s progressive, increasing, exponentially revelating encounter with technology itself as a force and an instrument — which itself has already and is already overtaking the human being and witnessing the human being’s change into this high strangeness… which is the rearranging of the psychological architecture of being itself, even localized within the nervous system of the earth itself as an ecosystem.

29:29

This is a terra-formation and everything from the tearing down of the Amazon jungle to smog in Mumbai or Beijing to the bomber airplane to the atom bomb to the robot dog.

Or the robot with artificial intelligence incorporated or programmed into it. This is a progressive revelation of things that are highly unnatural and at the same time natural, right? This is kind of how the contemporary pragmatic mind might conceive of technology. It’s... something that does not exist in nature, but yet has been produced from nature, the foundational elements and organizing components of nature.

30:11

Which is to say the principles underlying and inherent within nature, as well as the molecular structures and waveform frequencies. The script in and of which it is actively taking form and changing form at a supra-phasal sense.

It’s a taking of these foundational linguistics and writing speech and writing script into the terrain and field of space-time to produce radically new outcomes. This is from artificial intelligence to synaptic code to brain waves to fossil fuels to the splitting of the atom.

And what’s fascinating to me is not so much these technologies itself, but what these technologies do in terms of their redoubling in and upon the human being.

30:39

As a precipice, because the human being itself becomes the interface… much in the way that Nietzsche says that man is a tightrope between God and the beast or the animal — that man becomes a tightrope between hyper-accelerating, increasingly modern technology revelated at and from his own hand and form and breast as in the incarnate bios producing a technological representation from and beyond the symbolic chain of the representation of thermonuclear, genetically scripted man — and the protean past, which is the script of and from which he speaks, the glacial evolution of nature itself… and the grand paradox and tectonic tension therein.

It’s the language of nature which is absorbing what it itself is doing and has done, which has breached the language of nature.

31:08

Through synaptic transfusion of information, which is a level of sentience or cognition… which has allowed it to breach into that source code and recombine that source code to produce radically new outcomes outside of the bounds of the natural evolutionary trajectory and teleology.

It’s a hyper acceleration of natural evolution itself. We look at the human body or the human being and we say… nothing foundationally has changed significantly. We’ve added the opposable thumb.

31:38

The forebrain has become technologically advanced over the couple past hundreds of thousands of years.

But realistically, nothing within the human body has changed in terms of that glacial natural evolution, the biological and genetic evolution of the human being.

But what is happening here is that, again, it’s this being torn, it’s this push and pull between the glacial and the hyperrevolutionary, hyperevolutionary, exponentially evolutionary element of technology as it pertains to and interrelates with the synaptic and nervous system architecture of the human being itself.

And this is what is rending the human being from time and thrusting it into hyperspace as a chamber of revelation, specifically through the mediation of the digital screen as a blue light device, which can produce any outcome at this point with ease and with the conviction of truth.

And this, again, this is the shattering of the Newtonian realm, which is the embodied truth of space time and the architectural design of space-time — because the human being consciousness is no longer reliant on space-time to produce outcomes.

And this is the bewitchment of civilization and culture at the hands of technology… is that it has been rent from the synaptic sun-moon architecture and the rhythm of the human being body and thrust into this technological paradigm where the lights are always on.

33:05

This is a shattering of the architecture of the human being… as it is a reliant rhythm of the animal to survive within a ecosystem which remains the same.

And with the advent of the robot dog, the atom bomb, and the fluorescent light — you’ve entered into a dimension which no longer has any hold or gravity or ground within that architecture other than the fundamental energetics as in and such as electricity, which power and produce this ulterior reality… just as much as you could say the necessary architecture of the camera that is required as an energetic device and transformer… to capture light, transform light, and translate light into the physical image of the photograph as a chemical transfusion.

Of the capturing of this light source… etched into the negative and then chemically rendered upon the photographic sheet.

34:11

So that’s what I got. I’ll catch you on the next one.